大家好，今天小编关注到一个比较有意思的话题，就是关于music previews的问题，于是小编就整理了2个相关介绍music previews的解答，让我们一起看看吧。
文章目录：
一、gossip girl好听的歌曲
1、《Got Your Number》是一首由Various Artists谱曲，Various Artists填词，Various Artists演唱的歌曲。该歌曲收录在专辑《Gossip Girl》中，2007-09-19发行，该张专辑包含了6首歌曲。
2、《Happily Never After》是一首由Various Artists谱曲，Various Artists填词，Nicole Scherzinger演唱的歌曲。该歌曲收录在专辑《Gossip Girl》中，2007-09-19发行，该张专辑包含了6首歌曲。
3、《You’ll Change》是一首由Various Artists谱曲，Various Artists填词，Various Artists演唱的歌曲。该歌曲收录在专辑《Gossip Girl》中，2007-09-19发行，该张专辑包含了6首歌曲。
4、《The Air We Breathe》是一首由Various Artists谱曲，Various Artists填词，Various Artists演唱的歌曲。该歌曲收录在专辑《Gossip Girl》中，2007-09-19发行，该张专辑包含了6首歌曲。
5、《The Dark Side Of Indoor Track Meets》是一首由Various Artists谱曲，Various Artists填词，Falling Up演唱的歌曲。该歌曲收录在专辑《Gossip Girl》中，2007-09-19发行，该张专辑包含了6首歌曲。
二、关于法国戛纳电影节的英语介绍
The Cannes Festival (French: Festival de Cannes), named until 2002 as the International Film Festival (Festival international du film) and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from around the world. Founded in 1946, it is considered the most prestigious film festival in the world and is one of the most publicised,[1][2][3] together with theBerlin International Film Festival and the Venice Film Festival. The invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès.
The 2015 Cannes Film Festival took place between 13–24 May 2015. American film directors Joel Coen and Ethan Coen were the joint Presidents of the Jury. Dheepan, the film directed by French director Jacques Audiard, won the Palme d'Or.
On 1 July 2014, co-founder and former head of French pay-TV operator Canal+ Pierre Lescure took over as President of the festival. The Board of Directors also appointed Gilles Jacob as Honorary President of the festival.
History
The Cannes Film Festival has its origins in 1932 when Jean Zay, the French Minister of National Education, on the proposal of Philippe Erlanger and with the support of the British and Americans, set up an international cinematographic festival. In 1947, the festival was held as the "Festival du film de Cannes", where films from sixteen countries were presented. At that time the principle of equality was introduced, with a jury made up of only one representative per country.[7] The festival is now held at the Palais des Festivals, expressly constructed for the occasion, although for its 1949 inaugural the roof was unfinished and blew off during a storm. The festival was not held in 1948 and 1950 on account of budgetary problems. Although its origins may be attributed in part to the French desire to compete with Autumn's Venice Film Festival, in 1951 Cannes was moved to spring to avoid a fall clash.
In 1955, the Palme d'Or was created, replacing the Grand Prix du Festival which had been given until that year. In 1957, Dolores del Rio was the first female member of the jury as a Sélection officielle – Member. In 1959, the Marché du Film (Film Market) was founded, giving the festival a commercial character and facilitating exchanges between sellers and buyers in the film industry. Today it has become the first international platform for film commerce.[8]
In 1962, the International Critics' Week was born, created by the French Union of Film Critics as the first parallel section of the Cannes Film Festival. Its goal was to showcase first and second works by directors from all over the world, not succumbing to commercial tendencies.[9] In 1965, an hommage was paid toJean Cocteau after his death, and he was named Honorary President for life. The next year, Olivia de Havilland was named the first female president of the festival.
The 1968 festival was halted on 19 May. Some directors, such as Carlos Saura and Miloš Forman, had withdrawn their films from the competition. On 18 May, filmmaker Louis Malle along with a group of directors took over the large room of the Palais and interrupted the projections in solidarity with students and labour on strike throughout France,[10] and in protest to the eviction of the then President of the Cinémathèque Française. The filmmakers achieved the reinstatement of the President, and they founded the Film Directors' Society (SRF) that same year.[11] In 1969, the SRF, led by Pierre-Henri Deleau created theDirectors' Fortnight, a new non-competitive section that programs a selection of films from around the world, distinguished by the independent judgment displayed in the choice of films.[12]
During the 1970s, important changes occurred in the Festival. In 1972, Robert Favre Le Bret was named the new President, and Maurice Bessy the managing director. He immediately introduced an important change in the selection of the participating films. Until that date, the different countries chose which films would represent them in the festival. Bessy created one committee to select French films, and another for foreign films.[13] In 1978, Gilles Jacob assumed the President position, introducing the Caméra d'Or award and the Un Certain Regard section. Other changes were the decrease of length of the festival down to thirteen days, thus reducing the number of selected films; also, until that point the Jury was composed by Film Academics, and Jacob started to introduce celebrities and professionals from the film industry.[14]
In 1983, a new, much bigger Palais des Festivals et des Congrès was built to host the Festival. It was nicknamed "The Bunker" and provoked many reactions against it.[15] In 1984, Pierre Viot replaced Robert Favre Le Bret as President of the Festival.
Stars posing for photographers are a part of Cannes folklore.
It was not until 1995 that Gilles Jacob created the last section of the Official Selection: la Cinéfondation. Its aim was to support the creation of works of cinema in the world and to contribute to the entry of the new scenario writers in the circle of the celebrities.[16] The Cinéfondation was completed in 2000 with La Résidence and in 2005 L'Atelier. The Festival's Honorary President, Gilles Jacob, was appointed in 2000, and in 2002 the Festival officially adopted the nameFestival de Cannes.
Impact
The festival has become an important showcase for European films. Jill Forbes and Sarah Street argue in European Cinema: An Introduction (ISBN 0333752104), that Cannes "became...extremely important for critical and commercial interests and for European attempts to sell films on the basis of their artistic quality" (page 20).[17] Forbes and Street also point out that, along with other festivals such as the Venice Film Festival and Berlin International Film Festival, Cannes offers an opportunity to determine a particular country's image of its cinema and generally foster the notion that European cinema is "art" cinema.[17]
Additionally, given massive media exposure, the non-public festival is attended by many movie stars and is a popular venue for film producers to launch their new films and attempt to sell their works to the distributors who come from all over the globe.
Programmes
The Cannes Film Festival is organised in various sections:[18]
The Official Selection – The main event of the festival.
In Competition – The twenty films competing for the Palme d'Or. They are projected in the Théâtre Lumière.
Un Certain Regard – Twenty films selected from cultures near and far; original and different works. They are projected at the Salle Debussy.
Out of Competition – These films are also projected in the Théâtre Lumière but do not compete for the main prize.
Special Screenings – The selection committee chooses for these films an environment specially adapted to their particular identity.
Cinéfondation – About fifteen shorts and medium-length motion pictures from film schools over the world are presented at the Salle Buñuel.
Short Films – The shorts competing for the Short Film Palme d'Or are presented at the Buñuel and Debussy theatres. There are approximately 10 films in this competition.
Parallel Sections – These are non-competitive programmes dedicated to discovering other aspects of cinema.
Cannes Classics – It celebrates the heritage of film, aiming to highlight works of the past, presented with brand new or restored prints.
Tous les Cinémas du Monde – It showcases the vitality and diversity of cinema across the world. Each day, one country is invited to present a range of features and shorts in celebration of its unique culture, identity and recent film works.
Caméra d'Or – It rewards the best first film of the Festival, choosing among the debutants' works among the Official Selection, the Directors' Fortnight and the International Critics' Week selections.
Cinéma de la Plage – Screening of Cannes Classics and Out of Competition films for the mass public on Macé beach, preceded by a programme dedicated to film music.
Other Sections – Produced by outside organisations during the Cannes Festival.
Directors' Fortnight – From 1969, it cast its lot with the avant-garde, even as it created a breeding ground where the Cannes Festival would regularly find its prestigious auteurs.
International Critics' Week
ACID (Association for Independent Cinema and its Distribution)
Events
Marché du Film – The busiest movie market in the world.
Masterclasses – Given in public by world-renowned filmmakers.
Tributes – Honors internationally renowned artists with the presentation of the Festival Trophee following the screening of one of their films.
Producers Network – An opportunity to make international co-productions.
Exhibitions – Each year, an artist, a body of work or a cinematographic theme becomes the focus of an exhibition that diversifies or illustrates the event's programme.
60th Anniversary – Events organised in 2007 dedicated to the 60th anniversary of the Festival.
到此，以上就是小编对于music previews的问题就介绍到这了，希望介绍关于music previews的2点解答对大家有用。